ARMIN
MUELLER-STAHL: ARCHITECT OF THE SOUL
A retrospective at the Northwest Film Center,
Portland, Oregon
NAKED
AMONG WOLVES | PRIVATE PARTY | THE MOVIE TELLER | THE ESCAPE | UTZ
THE SPIDER'S
WEB | BRONSTEIN'S
CHILDREN | FIVE EMPTY CARTRIDGES
In a career spanning over
40 years and more than 100 films, actor Armin Müeller-Stahl is
at once familiar and unknown. For the first two decades of his
career, his performances were in East German films, works which
did not easily cross borders. In the 70s, blacklisted because he
protested against the treatment of another artist, his career
stalled. Emigrating to West Germany in 1980, the second stage of
his career blossomed as he worked with directors Rainer Werner
Fassbinder, Istvan Szabo and Agnieszka Holland among others. Most
recently seen in such U.S. productions as Barry Levinson's
AVALON, Costa Gavras' MUSIC BOX, Jim Jarmusch's NIGHT ON EARTH
and Chris Carter's THE X-FILES, Müeller-Stahl received an
Academy Award nomination for his role as David Helfgott's father
in SHINE. The Film Center is pleased to present this select
retrospective showcasing rarely seen films of this consummate
actor who embodies the characters he plays with such authenticity
and shades of emotion he appears to be an architect of the soul.
Organized by the Goethe-Institute, Washington, D.C. by Sylvia
Blume. Two key works, FIVE EMPTY CARTRIDGES and PRIVATE PARTY,
have been subtitled especially for this retrospective.
9 DECEMBER
WED 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
NAKED AMONG WOLVES
EAST GERMANY, 1963
DIRECTOR: FRANK BEYER
One of the first dramatic
films, made in the East or West, to deal with the issue of the
Nazi concentration camps, Frank Beyer's (JACOB THE LIAR) early
masterpiece was based on a novel by Bruno Apitz, himself a camp
inmate. In Buchenwald during the spring of 1945, American troops
are advancing and the prisoners fear their SS captors will
quickly execute them. With Armin Müeller-Stahl in a principal
role, a secret camp resistance group organized by Communist
inmates decides this is their last chance for an
uprisingand possible freedom. Their plans are jeopardized,
however, by the arrival of a new prisoner with a small boy hidden
in his suitcase. One of the most powerful anti-fascist
films made in East Germany, with indelibly written characters,
NAKED AMONG WOLVES easily draws positive comparison to
SCHINDLER'S LIST in its ability to portray the triumph of human
spirit. (124 mins.)
10 DECEMBER
THUR 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
PRIVATE PARTY (AKA NO
EXIT)
EAST GERMANY, 1978
DIRECTOR: FRANK BEYER
"One of several Frank
Beyer works to run into political difficulties with the
censorious East German authorities (Beyer's THE TRACE OF STONES,
THE HIDING PLACE, and HELD FOR QUESTIONING were all also banned
or suppressed at one time or another), this 1978 television film
was broadcast in the GDR but once, late at night, and then
promptly shelved until 1990. PRIVATE PARTY features Armin
Müeller-Stahl and Jutta Hoffman as a couple on vacation with
their 11-year-old son. When they unexpectedly find themselves the
only guests at a resort complex, their holiday becomes the
occasion for some difficult soul-searching, as unresolved
conflicts and submerged resentments begin to surface, and they
are forced to come to terms with the pain they have inflicted on
themselves and their child. PRIVATE PARTY offers a contemplative,
uncompromising, provocative look at the human struggle with the
truth; its intimate tale of one couple confronting problems and
conflicts long swept under the carpet was very much intended as
an allegory for the larger frustrations and failures of East
German society."Pacific Cinematheque. (118 mins.)
12 DECEMBER
DOUBLE FEATURE
SAT 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
THE MOVIE TELLER
GERMANY, 1993
DIRECTOR: BERNHARD
SINKEL
Like CINEMA PARADISO, THE
MOVIE TELLER evokes a bygone era, when movie going didn't mean
queuing up at a multiplex. In this tender, inter-generational
story, Armin Müeller-Stahl is the kinoerzähler (the movie
teller), a man who narrates silent films on stage, describing the
unfolding events on screenthe laughter and the tears, the
lands of enchantment and, most importantly for the movie teller,
the most beautiful women in the world. Working at the Apollo in
Babelsberg (site of the famed studio where many of the great
German silent films were made), dressed in his tuxedo and holding
his violin, he considers himself an artistthe screen's
equal and necessary companion. But with the imminent coming of
sound, his career is in jeopardy. Armin Müeller-Stahl inhabits
the role of the movie teller, a man so consumed by this threat to
his livelihood, he ignores the growing crisis of his marriage and
the larger political events unfolding around him. As seen through
the eyes of the movie teller's grandson, direrctor Bernhard
Sinkel has crafted "...a deceptively simple saga made of
rich fabric and imbued with often chilling and resonant
echoes."Variety. (100 mins.)
AND
9 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
NAKED AMONG WOLVES
EAST GERMANY, 1963
DIRECTOR: FRANK BEYER
Repeat of 9 Wednesday
program.
14 DECEMBER
MON 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
THE ESCAPE
EAST GERMANY, 1977
DIRECTOR: ROLAND GRAF
Armin Müeller-Stahl is Dr.
Schmit, a conscientious obstetrician living in a provincial town
in the GDR. Working in relative obscurity, he grows increasingly
disenfranchised when the local administrators dismiss his
research ideas. Entering into a dangerous contract to be smuggled
into the West to assume a medical directorship, Schmit finds his
predicament more than unsettling. The local authorities are
rethinking their position and he has fallen in love with a female
colleague. Roland Gräf's unusual East German film, dealing as it
does with the subject of illegal emigration and Western
body-brokers, offers a view of a defector that differed
dramatically from East German propaganda. In this gripping story
of love, blackmail and deceit, Müeller-Stahl embodies the role
of a well-intentioned gentleman who must choose between the state
and his own soul. (94
mins.)
15 DECEMBER
TUES 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
UTZ
GREAT BRITAIN, GERMANY,
ITALY, 1992
DIRECTOR: GEORGE SLUZIER
"This adaptation of
Bruce Chatwin's novel provides us with a loving and rich portrait
of that eccentric species: the collector. In the case of Baron
Kaspar Joachim von Utz, resident of Prague, his obsession is the
beautiful, decorative and finely detailed Messein porcelain
figures which enjoy an international reputation. Even as a child
Utz was obsessed with these small, endlessly evocative
statuettes. During World War 11 and under the communist regime,
when other collectors were forced to sell their collections Utz
managed to build his treasure through a ruthless combination of
dedication and willpower. Living in a small apartment, tended to
by a faithful housekeeper who holds many of his secrets, Utz is a
man cut off from the world around him, at the service of his
collection and nothing more. Armin Müeller-Stahl gives a finely
modulated and distinguished performance as the aristocratic Utz,
whose single-minded dedication to his collection beautifully
captures both the dignity and limitations of the man. Peter
Riegert plays a New York gallery owner and art dealer who has
cultivated a relationship with Utz over time and who hopes to buy
parts of the old man's collection. The relationship between the
two men is drawn with conviction by Sluizer (THE VANISHING), and
the enigma of Utz provides an endlessly engrossing canvas for him
to explore questions surrounding art, the collector, and a set of
values which are in the process of disappearing.
"Toronto Festival of Festivals. (98 mins.)
22 DECEMBER
TUES 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
THE SPIDER'S WEB
GERMANY, 1989
DIRECTOR: BERNHARD WICKI
This powerful epic, based
on the prophetic novel by Austrian writer Joseph Roth, is
considered veteran director Bernhard Wicki's (DIE BRUKE) magnum
opus. Straddling both sides of the tumultuous year of 1923, the
story chronicles the rise of an overly ambitious and unscrupulous
German Navy lieutenant, Theodor Lohse (Ulrich Muhe), whose career
takes off when he joins a secret right-wing extremist
organization headed by Baron von Rastschuk (Armin
Müeller-Stahl). As our anti-hero Lohse begins spinning a web of
betrayal and murder, he ensnares both friend and foe alike. His
increasing power and plundering seem unstoppable until he meets
up with Jewish anarchist and double agent Benjamin Lenz (Klaus
Maria Brandauer, MEPHISTO, COLONEL REDL). Nominated for an
Academy Award for Best Foreign Film, THE SPIDER'S WEB is an
impressively mounted production that fully evokes the foreboding
times of post-World War II Europe. (198 mins.)
23 DECEMBER
WED 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
BRONSTEIN'S CHILDREN
GERMANY, 1990
DIRECTOR: JERZY
KAWALEROWICZ
The emotional shrapnel of
the Holocaust, its ongoing anguish, has edured long after the
events of the war. In BRONSTEIN'S CHILDREN by one of Poland's
most gifted filmmakers, Jerzy Kawalerowicz (DEATH OF A
PRESIDENT), set in East Berlin in 1973, 18-year-old Hans
(Matthias Paul), journeys to his family's cottage in the woods
for a tryst with his girlfriend. When he arrives, he makes a
bizarre discoveryhis father (Armin Müeller-Stahl) and two
strangers interrogating and beating an old man handcuffed to a
bed. As events unfold, we learn the father and his accomplices
are Jewish survivors and the man being held captive was the
commandant of the Nazi concentration camp where they were held.
The son pleads with his father to turn the man over to the
authorities, but is rebuked. Over the next few days and at the
center of the film, is the intense moral battle that takes place
between father and son, a battle compounded by their already
complex and difficult relationship. Like Bryan Singer's APT
PUPIL, the effects of the Holocaust across generations is deftly
explored in this bold adaptation of Jurek Becker's novel. (98 mins.)
30 DECEMBER
WED 7 P.M.
ARMIN MUELLER-STAHL:
ARCHITECT OF THE SOUL PORTLAND PREMIERE
FIVE EMPTY CARTRIDGES
EAST GERMANY, 1960
DIRECTOR: FRANK BEYER
One of three works in this
Armin Müeller-Stahl retrospective directed by Frank Beyer, FIVE
EMPTY CARTRIDGES is set during the Spanish Civil War and focuses
on five soldiers, each from a different country, who receive a
top secret plan from their dying commanding officer. These five
members of an international brigade, trapped behind enemy lines,
are each given a part of the plan which is hidden among five
cartridge casings. Their mission, to smuggle the plan back to
their home base, proves a treacherous journey that tests the
limits of their endurance and friendship. It is only upon their
arrival that the true nature of the mission is revealed.
"Had it been made in the U.S. with a big budget and famous
stars, I believe it would have become a cult
movie"Armin Müeller-Stahl. (88 mins.)